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This song is about that first person you meet after a breakup that you’re just not over yet. It’s about catching yourself looking for someone who’s just like the person you loved to try to replace them.
Imagine yourself with a shovel hitting the dirt and starting to dig you're own grave. The contemplation that come next, and the hope that the grave really isn't yours. Ultimately you know that by the end, you are going to be at the table with devil.
Es handelt sich um einen Verliebten, der in zwei Stropen beschreibt, wie sehr und warum er in eine Frau verliebt war. In der dritten Strophe beschreibt er, warum er sie nur erschießen konnte, um seiner Liebe zu ihr gerecht zu werden.
Wow. Can't believe I never posted this. Had this written for a while. I remember right after I thought of the main line here, which inspired the song, "Baby, you're mine," and the way I said it, that this was one of my top-20 songs before it was even finished. Yeah. I love this song. "Baby, you're mine... baby you're mine." The way it works for me, the second time is a lot quicker, which makes it sound very cool to sing. That's how I do it. Also, the verses immediately bleed into the chorus; that's just how it's set up.
With all the love songs that have ever been written about the people we love, it's a stretch to imagine that anything's truly original. It might really all just be one giant song, just reworded and reworked every time. Well, if that's the case, here's another version of the "love song" from me, which is pretty catchy. The verse bleeds directly into the chorus, for more of an upbeat track, not a slow ballad. Pronounce "every" as "ev-er-ry" in the chorus and I think you'll be able to pick up what I intended with this one. I think the third verse is the strongest, perhaps of any song I've written for a while now, but it will be X'd out unless someone buys. My suggestion: Pick up a lower license, then come back for the exclusive rights once you see how strong that last verse is.